**
out of ****
I was
really looking forward to this film, a bio-drama about an
Olympic athlete interred in a Toyko POW camp during the latter part
of WWII. Unfortunately, other than a few sequences it is dull,
dreary and told in a most unoriginal manner. Adding to the
disappointment is that it was written by the Coen brothers, whose films are usually very inspired.
Jack
O'Connell plays Louis Zamperini, a long distance runner who had made
a name for himself in the 1936 Olympics as a high school student.
Coming from far back in the pack in the 5k run he finished just out
of the medals and was the top American. He couldn't wait for the
1940 Tokyo Olympics, which were subsequently canceled due to the
outbreak of war.
Louis
becomes part of a flight crew doing bombing runs over Japan, and
eventually his plane crashes into the Pacific. He and two other crew
members survive the crash, and after spending nearly a month adrift
at sea, during which one of their party succumbs to the elements,
they are picked up by the Imperial Navy and delivered to the POW
camp. It's here that the strength of Louis' character comes to the
forefront, as the sadistic POW commander is bent on breaking his will and
Louis is determined never to give in.
There
are some good sequences in “Unbroken”, but the way the story is
laid out we've seen it all before and done better. The
portions of the movie taking place on the bomber are terribly
predictable and overwrought, and the (very lengthy) part of the movie
where they are adrift at sea is not only predictable but designed
almost like a horror movie. The “jump” tactics of the sharks use
in the movie are unnecessary and silly, and the whole sequence just
goes on far too long. “All is Lost” (2013) did all the same
things recently and did them much better. Finally, the last hour of
the film taking place in the POW camp doesn't make the emotional
connections that it tries to; rather than being moved by Louis'
strength, just watching what he goes through becomes an ordeal.
There
is one major exception. There is a sequence involving a 2”x 10”
plank that Louis is forced to hold over his head – drop it and be
shot. This sequence is easily the best thing in the movie, and the
one time you really get emotionally involved in the story. It's a
shame this sequence is so short or that the director (Angelina Jolie) couldn't
find that same note more frequently throughout.
The
film isn't terrible, but it is a disappointment. So much more could
have been done with this true story, if only it had found a way to
reach the viewer's emotions rather than try to manipulate them.
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