** ½ out of ****
If Bill Murray hadn't been
nominated for an Oscar a decade ago for “Lost in Translation” I
would feel sorry for him that he didn't receive one for “St.
Vincent”. He is extremely good in it – award-worthy even.
However, he wasn't nominated and I can see why; there is
barely any acting required. The role of Vincent Mackenna comes too
naturally to him – I bet he barely had to rehearse. I've read that
Jack Nicholson was originally supposed to play the part and I'm sure it would
have come even more naturally to him....
Vincent is a crotchety old
bugger living alone in Brooklyn. His house is filthy and run down,
he spends his days getting hammered and blowing money at the race
track, and what disposable income he has left he spends on weekly visits from a pregnant
hooker (Naomi Watts). He doesn't like people and for the most part
they don't like him. He lives a very solitary life, and that's
how he likes it.
Enter Maggie and Oliver
Bronstein (Melissa McCarthy and Jaeden Lieberher) a mother and son
who move in next door. They, of course, see Vincent for the mean old
guy he is but thanks to necessity Oliver starts to stay with him
after school due to his mothers long work hours. Vincent takes the
kid to bars, the track, feeds him little else beyond crackers and
sardines, and generally walks all over him. Are you expecting to hear that the kid comes to see Vincent's heart of gold and they
begin to rely on each other a bit more every day?
Ding ding ding.
It turns out that
Vincent is a little deeper than we originally thought. Much of the reason for
his poverty is his secret insistence to keep his Alzheimer's-stricken
wife in the best nursing home possible. And he was a Vietnam war
hero. And much of the reason he wants people to leave him alone is
that he is afraid that anyone he might love will again be taken away
from him. But despite that he comes to care deeply about his young
charge.
My greatest issue with
this movie is that it was utterly predictable straight down the line.
There is a formula for movies like this, and “St. Vincent” never
deviates from it. And while Murray's performance is very good, I can
think of at least a dozen actors that could have done it at least as
well. Hell, drop Walter Matthau's “Buttermaker” in here from the
“Bad News Bears” (1974) and I don't think you'd have much in the way of
a difference.
Melissa McCarthy is
(wonder of wonders) not absolutely awful in her role, though she is
still annoying and unlikable. And Naomi Watts is
virtually unrecognizable as the Russian hooker.
Overall it isn't a bad
movie, but neither is it anything more than a formula comedy/drama.
A couple of good laughs and a nice wrap up pay its admission, but really nothing more.
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