*** ½
out of ****
Tarantino
often walks a very fine line with his filmmaking. He loves to pay
homage to earlier films and directors, often to the point of making
parts of his own films silly or close to caricatures. I found he
went over that line with the “Kill Bill” films (especially the
first one) and got it just right in “Inglorious Basterds”. With
“Django Unchained” he dances right up to the line quite a bit,
but never goes too far. Which leaves “Django” as a wonderful,
violent, gruesome, offensive western that is almost endlessly
entertaining.
Django
(Jamie Foxx) is a slave in 1858 being moved across Texas, when his
group encounters “King Schultz” (Christoph Waltz). Schultz is a
bounty hunter who needs Django to identify a couple of murderers he
is seeking that Django had known at an earlier plantation. As
Schultz hates slavery he makes a deal to offer Django his freedom in
exchange for his help. But over the course of seeking these
bounties, the two men become good friends. And when Schultz finds
out that Django's wife has been sold to other slavers, he offers to
help his find her again.
After
investigating they find at Django's wife Hildy (Kerry Washington) was
sold to a large plantation owner, Calvin Candie (Leonardo Dicaprio),
one who would never deign to worry about a single slave. So Schultz
and Django hatch a plot to seek out Candie and make him believe they
are interested in the “Mandingo” game so that they can get close
to him. “Mandingo” is the name given to (for lack of a better
analogy) slave “cockfights”, where each slave-owner offers a
combatant to fight to the death. In reality it is largely considered
fictional, but here the Mandingo game becomes one of the central
parts of the second half of the film. Schultz and Django try to
convince Candie they want to buy fighting slaves when really all they
want is to buy Hildy and whisk her away.
While
some have complained that “Django Unchained” is unnecessarily
violent and gruesome, I tend to think that it's because this is such
an unconventional western. And there are times when it dances right
up to the line of good taste, especially in it's gore and
over-the-top treatment of most of the slave-owners. While these guys
were villainous historically, they are universally ridiculously
villainous here. Tarantino had to work very hard to make those
characters real rather than caricatures, and I feel he did it very
well. In particular, Don Johnson's role as “Big Daddy” is not
only effective, but borderline hilarious.
Everyone
in the cast is fantastic, but Christoph Waltz as King Schultz is the
real star of this film. His two turns in Tarantino movies (he was
also Hans Landa in “Inglorious Basterds”) are possibly the best
roles played by anyone in any movies in the past ten years. Foxx and
Dicaprio really shine, but it's Waltz that runs away with it. Sam
Jackson as “Stephen”, Candie's head house slave, is also
delightfully evil in his role.
If
you only like westerns like the old John Wayne flicks, you probably
won't know quite what to make of Django Unchained”. But it is a
truly excellent piece of movie-making, and a worthy addition to
Tarantino's catalogue. Don't miss it.
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