*** ½
out of ****
I was
fifteen years old when “The Breakfast Club” (1985) was released,
and it had a big impact on me. None of the six primary characters
were actually much like me but I saw parts of myself in all of them,
and their onscreen struggle to find their identities was one of the
first times a high-school movie really resonated.
And
though I would never argue with anyone calling “The Breakfast Club”
the best high-school film ever, my personal favorite is “Pump Up
The Volume” (1990). I wasn't a teenager anymore, but the lead
character in that movie (Mark, played by Christian Slater) was
someone I TOTALLY identified with. I WAS Mark Hunter in high school,
I just never started a pirate radio station. So seeing someone on
the screen that you think of as just like you is something I can identify with.
And
that is what makes “The Edge of Seventeen” something special. In
it, Nadine (Hailee Steinfeld) is a high-school student with exactly
one close friend, Krista (Haley Lu Richardson). She feels awkward in
every last social situation unless it's just her and Krista
together, which is when they feel comfortable, loose and can be
themselves. Nadine has an older brother (Blake Jenner) who is
extremely popular, an athlete, and a huge circle of friends. Nadine,
of course, hates him and everything he represents.
So
when her best friend Krista and her brother end up dating, Nadine
feels abandoned, alone and willing to do virtually anything to try to
better her situation. Or so she tells herself. Because she's not
really willing to do anything at all to change her situation, she just wants
to wallow in the unfairness of it all. This takes her on a few
uncomfortable journeys, one including the boy she has a crush on, and
another involving a boy who has a crush on her. But Nadine's
personal inability to find any empathy with anyone always causes each
situation to be a disaster.
The
constant throughout it all is Mr. Bruner, her history teacher (Woody
Harrelson). Easily my favorite role ever for Woody, he is the adult
that always calmly says what every adult would want to say, but never
does for fear of hurting a youth's fragile feelings. Basically he
tries most to help by letting Nadine know that each problem she drops
in his lap is her own, not something for him to fix for her. If more
adults acted like this, perhaps the youth of today wouldn't enter
their 20s with the same attitudes previous generations dropped when
they entered their teens....
What
make “The Edge of Seventeen” so wonderful is its universality.
Nadine thinks herself a rebel, a social misfit and totally unique at
the same time. However, she's just like everyone else – awkward,
dying for acceptance and wishing she had the courage to let everyone
know what only her best friend knows – that she's pretty cool if
you give her a chance. But what she doesn't realize is that this is
how EVERYONE, even the most popular kids, feel about themselves in
high school. That when you're seventeen, your lack of understanding
of your own identity makes everyone incredibly fragile. Some of us
are just better at dealing with that than others.
This
isn't the new “Breakfast Club”. But I bet for a lot of young
girls out there it will be a new “Pump Up The Volume”. Just as I
thought of myself as Mark from that movie, there are going to be a
tremendous number of young girls who think of themselves as Nadine.
And they will learn an important lesson from her – that once you
can see past the fact that you're not the only person in the world,
that other people's feelings matter just as much as your own, that's
when you start to grow as a person and become an adult.
And
watching Nadine do it is a lovely exercise in fun and pathos. I give
it a very, very high recommendation.
This comment has been removed by a blog administrator.
ReplyDelete