** ½
out of ****
Sometimes
the obvious is so obvious that it escapes the attention of just about
everyone, sort of like “only a crazy person would vote for Donald
Trump”. Such was the case at the turn of the century with how many
NFL players were dying young with serious issues in the mental
stability. It took the autopsy of Pittsburg Steeler Mike Webster by
a forensic pathologist before someone recognized that dead
footballers often had brains that were smashed almost to pudding.
The
forensic pathologist was Ben Omalu (Will Smith), an immigrant from
Nigeria with no ties to professional sports. But he started an
investigation that led to his discovery of CTE, a brain injury caused
by repeated minor concussion sustained over a long period of time.
When his findings were published, the NFL went far out of it's way to
try to discredit both Imalu and his findings, because if it were true
could eventually cause the downfall of the entire professional
football system.
Coming
to Imalu's defense is former Steelers doctor Julian Bailes (Alec
Baldwin), and Imalu's boss Cyril Wecht (Albert Brooks). But their
small team seem no match for the multi-billion dollar NFL, especially
when considering the NFL had unlimited screentime and are America's
favorite sport. But Imalu's refusal to back down, and his personal
conviction that it was important to get his work recognized for the
protection of the players, eventual leads to people starting to
listen.
Will
Smith is actually extremely good in this role, affecting a Nigerian
accent almost flawlessly and really committing to the doctor's cam
passion. Baldwin is also surprisingly poignant as the NFL
“defector”, a man more concerned with protecting people than his
career or reputation. You spend much of the film shaking your head
over the actions of the NFL in trying to suppress Imalu's findings,
but the passion of the film is pretty toned down.
It
isn't riveting viewing but it's a story well worth watching, with
some strong performances that make it all worthwhile. Will Smith
continues to pick smaller profile films than he used to, but often
(as here) it results in more interesting films.
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