***
out of ****
Jon
Favreau is a bit of an enigma to me. Immensely likeable as an actor
and far from untalented, with the exception of his involvement in the
“Iron Man” franchise he seems to select only projects that are
intriguing but doomed to be ignored by the public. “Chef” is
great example – a really enjoyable movie full of likeable and
realistic characters, and I am immensely glad it managed to get made.
But the fact that it made money is a shocker – this isn't the type
of film you expect to draw crowds.
Favreau
is Carl Casper, once an up-and-coming chef who has settled into a
life of routine. He tries occasionally to break out of the routine,
but by and large his creativity is completely stilted. The owner of
the restaurant where he works (Dustin Hoffman) is no help, insisting
that he cook only a basic menu. After a scathing review by an
influential food critic (Oliver Platt), followed by a Twitter
insult-fest between them, Carl is out of work and desperate. He
feels unworthy of the love of his son, and swallows his pride to
accept an offer from his ex-wife's first husband (Robert Downey Jr.)
- to be given a food truck that he has in his junk yard.
Prior
to the appearance of the food truck, the movie is simply pretty good.
Once the food truck appears, things get really interesting. Working
with his son and a friend (John Leguizamo), they fix up the truck and
spend the summer driving across America developing a menu of various
Cubanos sandwiches and side dishes. Carl's son is a social media savant, and uses
Twitter to generate huge crowds wherever they go. This entire
portion of the film is ridiculously fun. It isn't a straight comedy per se,
but it is so enjoyable and light hearted that you just can't help but
love what you're seeing on the screen.
And
then there's the food. Being a bit of a glutton, it was almost
torture. The food Carl made at the restaurant looked good, but his
food truck creations were presented in such a way that you could
almost smell and taste them. I wanted to eat everything they were
making. This is truly terrific film-making, as I am certain that this
is exactly the reaction Favreau's direction was intended to cause.
There
is no intrigue in the plot and there are no twists and turns. This
is a character-driven story about a man finding his own redemption,
rediscovering his relationship with his son, and finding that
subduing his creativity was the source of all his problems in the first place. As a viewer you get involved with the characters and the
story, you like them and wish you could meet them. It is a success
on every level. Just don't go hungry - you'll eat everything you can
get your hands on just to be chewing while you look at all the
wonderful food on the screen.
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